The Romanesca
The Leaping Romanesca (The Pachelbel Pattern): The Basics
The Leaping Romanesca: Two-Part Embellishment (Part 1)
The Leaping Romanesca: Two-Part Embellishment (Part 2)
The Leaping Romanesca: Embellishing Three-Part Settings
The Leaping Romanesca Set with Stretto
The Leaping Romanesca with a Modified and Shortened End
The Stepwise Romanesca: The Basics
The Stepwise Romanesca: Two-Part Embellishment
The Prinner
Variants of the Prinner (Part 1)
Variants of the Prinner (Part 2): Sequential Prinners
Variants of the Prinner (Part 3)
Variants of the Prinner (Part 4): The Stabat Mater Prinner
Combinations of a Romanesca and a Prinner
The Do-Re-Mi
Changing-Note Schemata
The Folia
The Fonte
The Monte
The Monte Romanesca
The Quiescenza
The Indugio
The Indugio (Part 2): The Circular Indugio
The essays above are the result of my research project A Database Of Schemata As a Starting Point For Historically Informed Improvisation and Composition conducted at the Royal Conservatoire Antwerp (AP Hogeschool). See also my research page.
