Heinichen’s General-Bass in der Composition: Context
This essay is the first in a series exploring Johann David Heinichen’s General-Bass in der Composition. Heinichen’s General-Bass in der Composition (1728) is a monumental thoroughbass treatise in German-Italian style, covering not only technical topics such as dissonance treatment, the realization of quick bass notes and full-voice accompaniment, but also many aesthetic considerations. In this
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