Like the Romanesca, the Do-Re-Mi —the term comes from Robert O. Gjerdingen— was a favourite opening schema in the galant style that also existed in several variants. The term Do-Re-Mi refers to a proposta schema often featuring a ➊–➋–➌ snippet in the melody and a ①–⑦–① snippet in the bass. This essay will explore several

Term coined by Robert O. Gjerdingen, after an observation by Leonard B. Meyer. In the words of Gjerdingen, “in the 1970s, Leonard B. Meyer noticed that many eighteenth-century phrases resembled the opening of the hymn tune ‘Adeste Fidelis’. Its melody, believed to date from the early eighteenth century, opens with a variant of the Do-Re-Mi

A risposta schema (or riposta schema) is a schema that follows (‘responds to’) a proposta schema. See also proposta schema. Select Bibliography Gjerdingen, Robert O. Music in the Galant Style (New York: Oxford University Press, 2007).

A proposta schema is a schema that begins a composition or an important section of it. See also risposta schema. Select Bibliography Gjerdingen, Robert O. Music in the Galant Style (New York: Oxford University Press, 2007).

In this essay, I will discuss the characteristics of a voice-leading pattern that is a variant of the Leaping Monte Romanesca: the Stepwise Monte Romanesca. The term Stepwise Monte Romanesca refers to a rising sequential pattern in which each segment consists of a descending step in the bass with each subsequent segment one step higher

In this essay, I will discuss the characteristics of a voice-leading pattern known today as the Monte Romanesca, to which I have added the adjective ‘Leaping’ to distinguish it from the stepwise version, which is dealt with in a separate essay. The term Leaping Monte Romanesca refers to a bass motion that rises a fifth

A term coined by John A. Rice. A Corelli Long Comma is a three-part variant of the Long Comma with a 6/5 sonority above ⑥ and a 9–8 suspension (or a non-essential dissonance) above ①. Since the fifth in the 6/5 sonority –➌– acts as a suspension, it must be prepared. See also Clausulæ. See

A term coined by Robert O. Gjerdingen. A Long Comma is a variant of the Comma where ⑥ precedes ⑦. Its usual melody is a ➍–➌ or ➎–➍–➌ snippet. In the latter case, ➎ acts as a suspension (or a non-essential dissonance) above ⑥ and must be prepared. See also Clausulæ. See also Comma. See

A term coined by Robert O. Gjerdingen, after several 18th-century sources. A Comma is a synonym for a clausula cantizans or a ⑦–① cadence. Its usual melody is a ➎–➍–➌ or ➍–➌ snippet. See also Clausulæ. See also Long Comma. See also Corelli Long Comma. Select Bibliography Gjerdingen, Robert O. Music in the Galant Style