Concepts, Notation and Practice
What Do Tasto Solo, All’Ottava and All’Unisono Mean?
The Querstrich in Thoroughbass Figuring: What Can It Mean?
Indicating Accented Passing Notes in Thoroughbass
Georg Philipp Telemann’s Singe-, Spiel- und General-Bass-Übungen
Telemann’s Singe-, Spiel- und General-Bass-Übungen: Context
Telemann’s SSGBÜ: Range and Doubling
Telemann’s SSGBÜ: Number of Parts
Telemann’s SSGBÜ: The Querstrich
Telemann’s SSGBÜ: Chordal Rhythm in 2/4
Telemann’s SSGBÜ: Chordal Rhythm in 3/4
Telemann’s SSGBÜ: Chordal Rhythm in C
Telemann’s SSGBÜ: Chordal Rhythm in 3/8
The essays above are the result of my research project Guidelines for Keyboard Continuo Playing in 18th-Century Germany — An Online Platform Based on Historical Sources conducted at the Royal Conservatoire Antwerp (AP Hogeschool). See also my research page.
